aseaofquotes:

Jack Kerouac, On the Road

aseaofquotes:

Jack Kerouac, On the Road

(via lovedoesnotmeasure)

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Well, let it pass, he thought; April is over, April is over. There are all kinds of love in the world, but never the same love twice.
F. Scott Fitzgerald (via cityyandcolour)

(Source: glassybaby, via cityyandcolour)

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Happiness, it has been observed, is best achieved by those who have been most unhappy heretofore.
Millard Kaufman (Bowl of Cherries)

(Source: quotelibrary.info, via themindislimitless)

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Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.
Richard Siken (via natface)

(via samsonismydog)

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tamburina:

Sleep is good, death is better; but of course, the best thing would to have never been born at all.

Heinrich Heine

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I am the poet of the poor, because I was poor when I loved; since I could not give gifts, I gave words.
Anyone who renounces life because he feels that it is nothing but pain and sorrow and doesn’t find in himself the heroic courage to kill himself is — in my opinion — a grotesque poser and a helpless person…
Renzo Novatore, Italian Anarchist  (via fuckyeahexistentialism)

(Source: whyexistence, via applecores)

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I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards.
She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because it’s there, because it can’t hurt, and because what difference does it make?
Toni Morrison (via shiftingself)

(via tupsyturvy)

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soulfulcaptivity:

I was shooting a scene in my new film, No Strings Attached, in which I say to Natalie Portman, 

“If you miss me. you can’t text, you can’t email, you can’t post it on my Facebook wall. If you really miss me, you come and see me.” 

I began to think of all of the billions of intimate exchanges sent daily via fingers and screens, bouncing between satellites and servers. With all this texting, emailing, and social networking, I started wondering, are we all becoming so in touch with one another that we are in danger of losing touch? 
It used to be that boy met girl and they exchanged phone numbers. Anticipation built. They imagined the entire relationship before a call ever happened. The phone rang. Hearts pounded. “Hello?” Followed by a conversation that lasted two hours but felt like two minutes and would be examined with friends for two weeks. If all went well, a date was arranged. That was then. 
Now we exchange numbers but text instead of calling because it mitigates the risks of early failure and eliminates those deafening moments of silence. Now anticipation builds. Bdoop. “It was NICE meeting u” Both sides overanalyze every word. We talk to a friend, an impromptu Cyrano: “He wrote nice in all caps. What does that mean? What do I write back?” Then we write a response and delete it 10 times before sending a message that will appear 2 care, but not 2 much. If all goes well, a date will be arranged. 
Whether you like it or not, the digital age has produced a new format for modern romance, and natural selection may be favoring the quick-thumbed quip peddler over the confident, ice-breaking alpha male. Or maybe we are hiding behind the cloak of digital text and spell-check to present superior versions of ourselves while using these less intimate forms of communication to accelerate the courting process. So what’s it really good for? 
There is some argument about who actually invented text messaging, but I think it’s safe to say it was a man. Multiple studies have shown that the average man uses about half as many words per day as women, thus text messaging. It eliminates hellos and goodbyes and cuts right to the chase. Now, if that’s not male behavior, I don’t know what is. It’s also great for passing notes. there is something fun about sharing secrets with your date while in the company of others. think of texting as a modern whisper in your lover’s car. 
Sending sweet nothings on Twitter or Facebook is also fun. in some ways, it’s no different than sending flowers to the office: You are declaring your love for everyone to see. Who doesn’t like to be publicly adored. Just remember that what you post is out there and there’s some stuff you can’t un-see. But the reality is that we communicate with every part of our being, and there are times when we must use it all. When someone needs us, he or she needs all of us. There’s no text that can replace a loving touch when someone we love is hurting. 
We haven’t lost romance in the digital age, but we may be neglecting it. In doing so, antiquated art forms are taking on new importance. The power of a hand-written letter is greater than ever. It’s personal and deliberate means more than an email or text ever will. It has a unique scent. It requires deciphering. But, most important, it’s flawed There are errors in handwriting, punctuation, grammar, and spelling that show our vulnerability. And vulnerability is the essence of romance. It’s the art of being uncalculated, the willingness to look foolish, the courage to say, 

“This is me, and I’m interested in you enough to show you my flaws with the hope that you may embrace me for all that I am but, more importantly, all that I am not.”

- Ashton Kutcher (Source)

soulfulcaptivity:

I was shooting a scene in my new film, No Strings Attached, in which I say to Natalie Portman,

“If you miss me. you can’t text, you can’t email, you can’t post it on my Facebook wall. If you really miss me, you come and see me.”

I began to think of all of the billions of intimate exchanges sent daily via fingers and screens, bouncing between satellites and servers. With all this texting, emailing, and social networking, I started wondering, are we all becoming so in touch with one another that we are in danger of losing touch?

It used to be that boy met girl and they exchanged phone numbers. Anticipation built. They imagined the entire relationship before a call ever happened. The phone rang. Hearts pounded. “Hello?” Followed by a conversation that lasted two hours but felt like two minutes and would be examined with friends for two weeks. If all went well, a date was arranged. That was then.

Now we exchange numbers but text instead of calling because it mitigates the risks of early failure and eliminates those deafening moments of silence. Now anticipation builds. Bdoop. “It was NICE meeting u” Both sides overanalyze every word. We talk to a friend, an impromptu Cyrano: “He wrote nice in all caps. What does that mean? What do I write back?” Then we write a response and delete it 10 times before sending a message that will appear 2 care, but not 2 much. If all goes well, a date will be arranged.

Whether you like it or not, the digital age has produced a new format for modern romance, and natural selection may be favoring the quick-thumbed quip peddler over the confident, ice-breaking alpha male. Or maybe we are hiding behind the cloak of digital text and spell-check to present superior versions of ourselves while using these less intimate forms of communication to accelerate the courting process. So what’s it really good for?

There is some argument about who actually invented text messaging, but I think it’s safe to say it was a man. Multiple studies have shown that the average man uses about half as many words per day as women, thus text messaging. It eliminates hellos and goodbyes and cuts right to the chase. Now, if that’s not male behavior, I don’t know what is. It’s also great for passing notes. there is something fun about sharing secrets with your date while in the company of others. think of texting as a modern whisper in your lover’s car.

Sending sweet nothings on Twitter or Facebook is also fun. in some ways, it’s no different than sending flowers to the office: You are declaring your love for everyone to see. Who doesn’t like to be publicly adored. Just remember that what you post is out there and there’s some stuff you can’t un-see. But the reality is that we communicate with every part of our being, and there are times when we must use it all. When someone needs us, he or she needs all of us. There’s no text that can replace a loving touch when someone we love is hurting.

We haven’t lost romance in the digital age, but we may be neglecting it. In doing so, antiquated art forms are taking on new importance. The power of a hand-written letter is greater than ever. It’s personal and deliberate means more than an email or text ever will. It has a unique scent. It requires deciphering. But, most important, it’s flawed There are errors in handwriting, punctuation, grammar, and spelling that show our vulnerability. And vulnerability is the essence of romance. It’s the art of being uncalculated, the willingness to look foolish, the courage to say,

“This is me, and I’m interested in you enough to show you my flaws with the hope that you may embrace me for all that I am but, more importantly, all that I am not.

- Ashton Kutcher (Source)

(Source: kaaaaren-ang, via evangelworldorder)

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I am a girls girl. Women who don’t have female friends scare me. I love my friends, and I love sitting with them and listening to their stories.
Because here’s the thing about realizing you’re into girls. Hardly anyone I know has ever said, “Am I gay?” in the same way they say, “Hey, do you know what the weather’s supposed to be like tomorrow?” Like they just need to figure out how to dress for the occasion. No, when most people ask, “Am I gay?” they ask it with the kind of urgency they would usually reserve for things like, “Do I strap this parachute to my back and jump from this free falling airplane or do I nose dive into the ocean and hope the sharks don’t eat my remains? SINK OR SWIM? LIVE OR DIE? QUENCH THE FIRE OR BURN ALIVE?” It feels so urgent, and the reason it feels so urgent is because you’re probably not just asking, “Hey, do I want to make out with other girls?”

You’re also probably asking: What the hell are my parents going to say when I tell them I want to kiss other girls? And my friends and my co-workers and my classmates and everyone at my family reunion? And what’s that girl going to say when I tell her I want to kiss her? And how is my life ever going to be OK, and how can I go on being the same, and am I the same, and what else do I not know about what’s alive inside me? And who will still love me and who will start hating me, and is God involved, or the government maybe, and what if it’s only one girl I want to kiss, and how do I label myself and must I label myself, and what if I change my mind and, really, what if I do burn alive?
Heather Hogan (via evewithanapple)

(Source: raphaellaskies, via thepoetsspace)

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I want to rip off your logic and make passionate sense to you. I want to ride in the swing of your hips. My fingers will dig in you like quotation marks, blazing your limbs into parts of speech.
Jeffrey McDaniel (via fleurishes) ()
I have never before found graveyards eerie, or particularly depressing. I like the expressions of love on the stones, the quiet declarations of people having existed, of having mattered.
The Legacy by Katherine Webb (via scribbles-and-wanderlust)

(via giddygrenadine)

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I’d forgotten, but this is one of my favorite quotes. I need to add this to my quotebook.

I’d forgotten, but this is one of my favorite quotes. I need to add this to my quotebook.

(via t-i-g-e-r-c-h-i-l-d)

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